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By now anyone reading this piece ...
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DILUTION AND TARNISHMENT OF NOLLYWOOD MARK AND TRADEMARK: PARTISAN POLITICAL ENDORSEMENTS In the field of trademark, franchise, celeb...
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Copyright Office Won’t Register ‘Middle-Finger Pictogram’ As Literary Work–Ashton v. Copyright Office March 12, 2018 · by Eric Goldm...
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It is mind startling what strategic political thinking went into APC's nomination of Mr. Umana Umana, as its gubernatorial candidate for...
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#NIGERIA- Bayelsa & Akwa Ibom Parallels. The New Political ruling party in Nigeria, All Progressives Congress (APC), are trendin...
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AfCFTA: Ethiopia, Nigeria and the New Multilateralism by Samuel Samiai Andrews †1 The Africa Continental Free Trade Area Agreement...
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When few days ago I got information of "rumors" and grapevine chatter that thugs and political gladiators are about to unleash may...
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https://www.facebook.com/samuel.andrews1/notes "... You guys are being mischievous and taking pot shots at the Governor. All's f...
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Reconceptualizing ‘Afrollywood’ Creative Landscape [1] Background The international creative communities led by the United...
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I hardly comment on Akwa Ibom State politics because seriously I stopped taking these folks seriously. I am a bona fide Ibibio. My focus h...
Thursday, April 7, 2016
Nollywood: Locating A Cultural Creative Industry In Cyberspace Regimes
The Digital era has opened up the inequities and capacities which exist in current distributive and performing apparachtik of the emerging cultural content industry. Nollywood, Nigeria is leading the emerging economies in setting a template for change in political economic renaissance...
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http://www.linkedin.com/in/samuelandrews1/
http://www.linkedin.com/in/samuelandrews1/
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