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Monday, February 10, 2020
SAMIAI: Uko Akpan: When Traditional Cultural Expressions B...
SAMIAI: Uko Akpan: When Traditional Cultural Expressions B...: In Memoriam ! Uko Akpan: When Traditional Cultural Expressions Become Tangible The sunsets and he joined his forebears few weeks ago. ...
Uko Akpan: When Traditional Cultural Expressions Become Tangible
In Memoriam!
Uko Akpan: When
Traditional Cultural Expressions Become Tangible
The
sunsets and he joined his forebears few weeks ago. In South Southern Nigeria of
Akwa Ibom State, an Annang indigene, one of the tribes in Africa created and owned
a unique and transformative folkloric-traditional expressive content.
It included dance, poetic oratory, and musical compositions.
Chief
(Dr) Uko Akpan grew up without formal education nor silver spoon in his
possession. A University in Nigeria awarded him a well-deserved doctoral degree
(honoris causa) in the twilight of his years. Beyond the recognition from his
people, Uko Akpan contributed enormously to creative and cultural arts of the indigenous
peoples.
Growing
up in my teen years in Nigeria, we watched, we danced, we chanted, and we communed
to the rhythms of Uko Akpan’s flowery songs and choreographic ensemble. He had
the ability to segue in lyrics from his native Annang dialect to Ibibio and
Efik and the local pidgin English. His was transformative and original.
Contemporary
intellectual property regimes are still struggling to protect his type of
creation. However, Nigerian laws in the books protect his type of creation many
may not be aware. Did anyone enforce his rights or leveraged or maximized the
multiplier benefits that laid in his works? But why not? That is a story for
another place and time. Now is to celebrate this great son of Africa.
Uko
Akpan epitomizes the resourcefulness of human creatives in Africa, which if properly
guided by competent professionals from onset could change the creative spaces
unimaginably. Uko Akpan revamped the traditional, indigenous entertainment, and
creative culture to tangible positives. Uko Akpan impelled creativity among
young and up coming creators. Other indigenous and contemporary artists
probably copied or ‘borrowed’ his works. I would say infringed, but again I
digress.
He
was a celebrity per excellence. A funeral rite, marriage ceremony, political rally
or other celebratory activities would not be an event without Uko Akpan
performing. He was in the class of Nigerian original celebrities before the
Nollywood era but a saner celebrity.
Now,
we that are vested in creativity and African arts must not allow the body of
work of this great son of Akwa Ibom State of Nigeria, and Africa to sleep on
with him in celestial bliss. Hopefully, Universities in Nigeria, particularly
in Akwa Ibom state geographical area would set up a curriculum in a
postgraduate level to research and study the arts and creativity of Uko Akpan
for posterity. He brought us joy, memories and taught us our culture in simple
practical forms. That is why Uko Akpan will live on.
Adieu
Chief (Dr) Uko Akpan, Our Culture.
© Samuel
Samiai Andrews, SJD.
Professor
of Intellectual Property Law, University of Gondar, Ethiopia | USA Ambassador’s
Distinguished Scholar, Ethiopia (February 2020).
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